The 'Red Sea Bream' float (Akajishi) was the first created in 1819.
Some floats weigh over 2 tons, requiring dozens of pullers to maneuver them through the streets.
The floats are designed to be disassembled for easier maintenance and storage within the hall.
Each float is protected by a layer of lacquer that is reapplied periodically to preserve the intricate artwork.
The exhibition hall was purpose-built to maintain the climate conditions necessary to preserve the antique lacquerware.
The Hikiyama Exhibition Hall houses the 14 ornate, giant floats used in the annual Karatsu Kunchi festival. These floats, known as hikiyama, date back to the early 19th century and are constructed from wood, lacquer, gold leaf, and silver leaf. Each float represents a different character or object, such as a sea bream, a dragon, or a samurai helmet. The hall is located adjacent to the Karatsu Shrine, which serves as the starting point for the festival parade. Visitors can view the collection year-round, as the floats are stored here when not in active use during the November event. The museum provides an intimate look at the craftsmanship required to maintain these heavy, ceremonial structures. Detailed displays explain the history of the festival, which is designated as a UNESCO Intangible Cultural Heritage.
The main hall floor allows for a wide-angle shot capturing multiple floats in a single frame.
Combine your visit with a trip to the nearby Karatsu Shrine to see where the festival rituals occur.
Check the placards beside each float for details on the specific donor guilds responsible for their upkeep.
Allocate extra time if visiting during the lead-up to the festival, as staff may be performing visible maintenance.
Attempting to visit during the three days of the Karatsu Kunchi festival in early November, as the floats are out on the streets and not in the hall.
Closed on the final three days of the Karatsu Kunchi festival in November; typically closed on the third Wednesday of every month.
Do not touch the floats or the displays; maintain a quiet voice to respect the cultural significance of the artifacts.
