The property was once owned by actor Omar Sharif, who reportedly lost the house in a high-stakes bridge game shortly after buying it.
The house is built inside a former volcanic rock quarry, utilizing the natural voids as living spaces.
Jesús Soto, who collaborated on the design, was instrumental in creating the subterranean lighting systems common in many of Lanzarote's volcanic attractions.
The site includes a 'cueva-bar' where the natural basalt walls serve as the interior structure.
The property features a private swimming pool carved into the volcanic landscape, surrounded by subtropical flora.
Museo Lagomar is an architectural complex integrated into a series of interconnected volcanic quarries and natural lava caves in Nazaret, Lanzarote. Designed by artist César Manrique and architect Jesús Soto, the site demonstrates the integration of modern living spaces with the island's unique geological features. The property features terraced gardens, hidden tunnels, a central lagoon, and dramatic rock carvings. Originally conceived as a residence, it transitioned into a museum and cultural venue following its reconstruction after a fire. It houses a gallery space showcasing local contemporary art. The site incorporates the specific aesthetics of Lanzarote’s volcanic landscape, using white masonry against dark basalt rock. Visitors can traverse passages carved directly into the lava stone.
The terrace overlooking the central lagoon with the white architecture contrasting against the jagged black volcanic rock.
Wear comfortable, flat-soled shoes with good grip, as the volcanic stone pathways can be uneven.
Allow time to visit the on-site restaurant, which offers views directly into the volcanic crater sections.
Check for temporary art exhibitions in the gallery space before arriving, as these rotate seasonally.
Do not attempt to explore off-path cave areas that are cordoned off for structural preservation or safety reasons.
Maintain respectful noise levels as the property features echo-prone narrow tunnels; refrain from touching protected historical art installations.
