The house is situated in the 'Valley of a Thousand Palms,' the only area on Lanzarote with a significant concentration of palm trees.
Manrique moved to this property in the late 1980s to escape the increasing tourism development elsewhere on the island.
The building incorporates a former farmhouse that Manrique meticulously restored over several years.
The artist's studio is left in a state of 'arrested time,' including paintbrushes still resting in jars and books open on tables.
Manrique was an outspoken advocate for limiting high-rise tourism development on Lanzarote, a philosophy reflected in the restrained, low-profile architecture of this home.
The interior design displays Manrique's extensive personal collection of contemporary art and ethnographic artifacts from the Canary Islands.
The Casa Museo de César Manrique in Haría serves as the final residence and workshop of the influential Lanzarote artist and architect. Located within a palm grove, the house was designed by Manrique himself and reflects his signature fusion of modernist architecture and traditional Canarian rural aesthetics. The interior preserves his original studio, complete with personal belongings, unfinished sketches, and work tools exactly as he left them upon his death in 1992. The structure emphasizes Manrique's philosophy of harmony between human construction and the natural volcanic landscape. Unlike his larger, more commercialized foundation site in Tahíche, this location offers a more intimate look at his private life and artistic process. The surrounding gardens feature endemic vegetation and volcanic stone elements characteristic of the island's unique ecosystem. Visitors can explore the living quarters, which showcase a blend of mid-century design and local craftsmanship. The museum operates under the stewardship of the Fundación César Manrique to maintain the integrity of his living space.
The central garden courtyard, which perfectly captures the contrast between the white-washed walls, lush greenery, and black volcanic soil.
Pair your visit with a walk through the nearby town of Haría, which is known for its traditional architecture and craft markets.
The site is smaller than the main foundation headquarters in Tahíche; allow for a slower pace to appreciate the smaller details in the studio.
Wear comfortable, flat walking shoes as the pathways include uneven volcanic stone and garden terrain.
Do not confuse this location with the Fundación César Manrique main office in Tahíche, which is a separate site located approximately 20 minutes away by car.
Open daily throughout the year, including weekends and public holidays.
Maintain a quiet volume inside the studio; do not touch the art materials or personal effects on the desks.
