The tower was built without a spire for over 300 years, finally receiving a roof in the 19th century.
The statue of Notre-Dame d'Aquitaine at the summit was originally oriented to face the cathedral, but was later turned to face the neighborhood of Saint-Raphaël.
The tower survived the French Revolution, though it was briefly repurposed as a lead shot factory.
The massive bell, 'Ferdinand-André', was cast in 1853 and weighs approximately 8,000 kilograms.
The structure is built primarily from Saint-Macaire stone, a local limestone characterized by its creamy yellow hue.
Tour Pey Berland is a 15th-century isolated Gothic bell tower located in Bordeaux, France, functioning as a detached campanile for the adjacent Bordeaux Cathedral. Standing 50 meters tall, the tower is topped by a golden statue of Our Lady of Aquitaine, installed in 1863. The structure was commissioned by Archbishop Pey Berland between 1440 and 1450 to house the cathedral's heavy bells. Visitors climb a narrow, winding staircase of 233 steps to access two outdoor galleries providing 360-degree views of the city. The base features a small garden and remnants of medieval masonry. The tower is structurally independent from the main cathedral to prevent vibrations from damaging the sanctuary's walls. It is a UNESCO World Heritage site as part of the Routes of Santiago de Compostela in France.
The second gallery level provides the clearest vantage point for capturing the golden statue at close range against the skyline.
Wear sturdy, closed-toe shoes to handle the narrow, uneven stone spiral staircase.
Bring a windbreaker or light jacket, as it can be significantly cooler and windier at the top platforms.
Leave large backpacks in your accommodation, as the stairs are too tight for bulky gear.
Attempting the climb if you suffer from vertigo or limited mobility, as there is no elevator and the staircase is extremely steep and narrow.
Closed on Mondays and major public holidays.
Maintain a quiet tone within the tower to respect the surrounding cathedral precinct; avoid leaning over the balustrades of the upper galleries.
