The façade is considered one of the finest examples of Plateresque stonework in Aragon.
The crypt houses two 4th-century Paleo-Christian sarcophagi made of white marble, likely imported from Rome.
The site was historically known as the 'Monasterio de las Santas Masas' due to the discovery of remains of martyrs.
The church suffered heavy damage during the Siege of Zaragoza in 1808, leaving only the main portal largely intact.
Jerónimo de Zurita, a prominent 16th-century Spanish historian and archivist, is buried within the basilica.
The Basílica of Santa Engracia is a historic church in Zaragoza, Spain, built on the site of a 4th-century early Christian cemetery. The current structure, dating primarily from the 16th century, features a notable Plateresque façade carved by Gil Morlanes. Beneath the main altar lies a crypt containing the remains of Saint Engratia and several martyrs from the city's Roman period. The church serves as a final resting place for several historical figures, including the tomb of Jerónimo de Zurita. Its architecture integrates Gothic elements with the decorative stone work characteristic of the Aragonese Renaissance. The interior houses an altar dedicated to the Santa Engracia relics, which were recovered during the 14th-century excavation of the site. The church maintains its function as an active site of Catholic worship in the Casco Antiguo district.
Directly in front of the main portal on C. de Tomás Castellano to capture the details of the Plateresque stone carving.
Descend to the crypt to view the ancient Roman-era sarcophagi.
Take time to examine the intricate carvings on the main entrance façade, which depict religious scenes and heraldry.
Maintain silence, as the church remains an active space for prayer and services.
Attempting to visit during daily mass, as sightseeing is restricted; entering through side doors intended for staff.
Sightseeing access is restricted during daily liturgical services.
Shoulders and knees must be covered; avoid photography during active religious services.