The monastery was reconstructed in the 1880s, removing many original frescoes which are now partially housed in the National Museum of Art of Romania.
The cathedral features two twisted towers that appear to lean, an intentional optical illusion created by the architect.
It is the resting place of the first King of Romania, Carol I, and the first Queen of Romania, Elisabeth.
The site commemorates the legend of Master Manole, who allegedly sacrificed his wife by walling her into the foundation to ensure the building's structural integrity.
The stone carvings were inspired by Persian and Caucasian designs, introduced to the region via Ottoman trade routes.
Curtea de Argeș Monastery is a 16th-century Eastern Orthodox site recognized for its distinctive Moorish-inspired stone carvings and twisted exterior spires. Commissioned by Prince Neagoe Basarab and consecrated in 1517, the cathedral serves as the primary necropolis for the Romanian royal family. The exterior facade is covered in intricate arabesque stone reliefs, distinguishing it from traditional Byzantine architectural patterns found elsewhere in the region. The interior features restored frescoes originally painted by the artist Dobromir of Târgoviște. It holds the sarcophagi of King Carol I, Queen Elisabeth, King Ferdinand, and Queen Marie. A secondary building houses a reliquary containing the relics of Saint Filofteia, a major pilgrimage site. The monastery complex underwent extensive restoration by French architect André Lecomte du Noüy in the late 19th century, which significantly altered its original appearance.
From the park paths directly in front of the cathedral entrance to capture the twisted spires and symmetrical facade.
Visit the small fountain located in the park to learn about the 'Master Manole' legend displayed on a plaque.
Take time to examine the exterior stonework; the geometric patterns change appearance significantly depending on the sun's angle.
Explore the surrounding park grounds for a better view of the cathedral's height compared to the surrounding walls.
Avoid taking photographs inside the cathedral without prior permission, as strict policies are often enforced.
Shoulders and knees must be covered; headscarves are required for women entering the cathedral.
