The sculptures are crafted from local red basalt clay mixed with specialized chemical-free materials to create a weather-resistant concrete-like surface.
The site represents the history of Da Lat through a chronologically organized path, starting from the prehistoric era and moving through the French colonial period to the modern age.
The longest sculpture in the tunnel is a giant clay snake that stretches across a significant portion of the pathway.
The site features a distinctive 'Infinity Lake' section, which became a viral landmark due to its reflective surface and statues of two iconic characters.
The tunnel was purpose-built to integrate art with the natural pine-covered landscape surrounding Tuyen Lam Lake.
The Da Lat Sculpture Tunnel, also known as the Clay Tunnel or Clay Village, features an extensive collection of sculptures carved entirely from basaltic red clay. The site spans a 1.2-kilometer path along the banks of Tuyen Lam Lake. Visitors walk through a narrative sequence depicting the historical evolution of Da Lat, from ancient origins to modern architectural landmarks. Key exhibits include life-sized models of the Da Lat Railway Station, the Bao Dai Palace, and the city’s cathedral. The artistic concept utilizes red clay reinforced with specialized binders to ensure durability against the highland climate. It is located within the Tuyen Lam Lake National Tourist Area. The tunnel represents one of the most significant examples of large-scale clay artistry in Vietnam.
The Infinity Lake area, featuring the reflective pool and iconic statues.
Wear comfortable walking shoes with good grip as the paths can be uneven and occasionally slippery when damp.
Bring sun protection and a hat, as there is very little natural shade along the open sections of the clay paths.
Visit on a weekday to avoid the heavy weekend foot traffic from local tour groups.
Avoid visiting during the height of the rainy season, as the clay paths can become muddy and outdoor photography is often impacted by fog.
Do not touch, lean on, or climb the clay sculptures, as they are fragile and susceptible to damage from human oils and impact.
