The church's tower houses the first clock installed in the city of Quito.
The convent's central fountain is carved from a single, massive block of volcanic stone.
The dome of the church is finished in colored tiles that contrast with the stone facade, a stylistic choice influenced by Mudéjar traditions.
The Order of the Mercedarians, who built the church, were the first religious order to arrive in Quito in 1534.
The structure houses an extensive collection of works by Miguel de Santiago, one of the most important artists of the Quito School.
The Basilica of Our Lady of Mercy, locally known as La Merced, is a distinct example of Quito's religious colonial architecture. The current structure was completed in 1746 following the damage of previous earthquakes and is noted for its blending of Moorish, Baroque, and Neoclassical elements. The complex includes a prominent clock tower, which was the tallest in the city at the time of its completion. Its interior houses a notable collection of colonial art, including significant paintings from the Quito School. The main altar is carved from wood and finished with gold leaf. A unique feature of the convent is its courtyard, which contains a large stone fountain carved in a single piece. The church serves as the home for the image of the Virgin of Mercy, the patroness of Quito. The site remains an active place of worship with daily liturgical services.
The central cloister courtyard provides the best perspective of the fountain and the tower's interplay with the sky.
Explore the secondary courtyards, as they are often quieter and offer a better view of the intricate stone carvings.
Observe the ceiling murals, which contain fine detail often missed by visitors focused only on the altar.
Avoid taking flash photography inside, as it is strictly prohibited to preserve the historic colonial paintings.
Maintain silence, remove hats, and dress modestly by covering shoulders and knees.
