The church was converted into a mosque during the 18th century, which necessitated the plastering over of the original medieval frescoes.
The interior frescos contain a rare 14th-century depiction of the 'Virgin with Christ' and portraits of the Nemanjić dynasty.
The site sits on the foundations of a 9th-century Byzantine three-nave basilica dedicated to the Holy Mother of God.
UNESCO inscribed the site on the List of World Heritage in Danger in 2006 due to security concerns.
The church's bell tower is a significant vertical landmark in the Prizren urban landscape, originally built with a double-arched opening.
Our Lady of Ljeviš is a 14th-century Serbian Orthodox church in Prizren, built upon the foundations of a 9th-century Byzantine cathedral. King Stefan Milutin commissioned the current structure in 1306-1307, incorporating it as a classic example of the Palaiologan Renaissance architectural style. The church features a unique blend of Byzantine five-domed design and local Rashka school elements. It serves as an active site and is recognized as a UNESCO World Heritage site under the 'Medieval Monuments in Kosovo' designation. Much of its interior fresco painting, once covered by plaster during its conversion into a mosque in the Ottoman period, was revealed during 20th-century restoration efforts. The building remains surrounded by protective barriers due to its sensitive status. It is situated in the historical center of Prizren near the Bistrica River. The structure is built primarily of stone and brick, utilizing alternating horizontal courses for aesthetic effect.
The exterior courtyard provides the best angle to capture the bell tower and the complex’s Byzantine-style domes.
Verify accessibility status with local church authorities or the Prizren tourist office before visiting, as entry can be restricted.
Respect the sensitive security environment by not taking unauthorized photos of protective fencing or security personnel.
Combine your visit with a walk through the nearby Prizren Old Town district.
Do not attempt to enter closed areas or touch the ancient frescoes, as they are fragile and under conservation.
Access is frequently restricted; visits often require prior coordination or the presence of authorized personnel.
Conservative dress is required; shoulders and knees must be covered. Maintain silence and avoid disruptive behavior.
