The monastery was founded in 1746 by a grant from the starosta of Kalynivka, Mykhailo Groholsky.
During the Soviet occupation, the church's interior frescoes were painted over and the structure was converted into a museum of atheism.
The monastery complex originally functioned as a fortress, utilizing thick walls and strategic positioning to protect its inhabitants during 18th-century regional conflicts.
The Capuchin order returned to manage the sanctuary in 1991, marking a significant restoration of the city's religious history.
The facility houses a small organ that is frequently used for classical and liturgical music recitals.
The Sanctuary of the Blessed Virgin Mary of the Angels in Vinnytsia is a historic Roman Catholic church complex originally constructed in the 18th century as part of a Capuchin monastery. The site served as a vital center for education and spiritual life in the region during the Polish-Lithuanian Commonwealth era. Following decades of secular use during the Soviet period, including service as an atheist museum and radio station, the building was returned to the Roman Catholic Church in the early 1990s. The architecture features a distinctive combination of early Baroque elements and massive defensive-style walls indicative of the period's monastic fortifications. It currently operates under the pastoral care of the Order of Friars Minor Capuchin. The interior retains historic vaulted ceilings and an active liturgical space that functions as the deanery for the local Catholic community. Visitors can observe the preserved cellar spaces that historically housed monastery provisions and served as refuges. It remains one of the few examples of monastic architectural heritage surviving in the city center.
From the opposite side of Soborna Street to capture the full facade and the defensive tower profile.
Maintain silence during ongoing prayers or liturgical services.
Check the notice board near the entrance for upcoming organ concert schedules.
Explore the courtyard area for a clear view of the complex's defensive masonry.
Taking photographs during mass or close-up flash photography of the altar area.
None.
Modest dress covering shoulders and knees is expected; men should remove hats upon entry.
