The cathedral houses the Sudarium of Oviedo, a blood-stained cloth traditionally believed to have covered the head of Jesus after his death.
The 12th-century Cámara Santa (Holy Chamber) is one of the few surviving structures of the original 9th-century palace complex of Alfonso II.
The Cross of the Angels, a masterpiece of Asturian pre-Romanesque goldsmithing, has been the symbol of the city since the 9th century.
The cathedral's tower was built in the 16th century and is famous for its intricate Flamboyant Gothic stone tracery.
The interior contains the tomb of Fruela I, the King of Asturias who founded the city of Oviedo in 761 AD.
The Cathedral possesses one of the most important collections of medieval jewelry in the Iberian Peninsula.
Construction spans nearly 300 years, resulting in a unique stylistic hybrid of Romanesque, Gothic, and Renaissance influences.
The Cathedral of San Salvador in Oviedo is a complex architectural site incorporating elements from the 9th-century pre-Romanesque period through to the 16th-century Gothic tower. It serves as the starting point of the Primitive Way of the Camino de Santiago. The Holy Chamber, a UNESCO World Heritage site, houses significant relics including the Sudarium of Oviedo and the Cross of the Angels. The cathedral structure demonstrates a transition from Romanesque foundations to Flamboyant Gothic aesthetics. Its Cloister, dating back to the 14th century, features a distinctive irregular trapezoidal layout. The site sits on the foundations of a 9th-century church commissioned by King Alfonso II. The cathedral is officially known as the Metropolitan Cathedral Basilica of the Holy Savior.
The Plaza Alfonso II el Casto provides the clearest view of the Gothic tower and the main facade.
Visit the Cámara Santa first as it contains the most significant relics and often has restricted visitor flow.
Take advantage of the provided audio guide to decipher the complex mix of architectural styles across the different centuries.
Observe the exterior masonry to spot the transition from the older stone blocks of the pre-Romanesque era to the refined Gothic carvings.
Attempting to visit during liturgical services, as tourist access is suspended for prayers.
Closed for tourist visits on certain religious holidays; partial closures may occur during special diocesan ceremonies.
Modest clothing is required; shoulders and knees must be covered. Silence is strictly observed within the sanctuary.
