The church served as a monastic complex for Benedictine nuns for over 700 years.
After the monastic period, the site was converted into cave dwellings where families lived until the mid-20th century.
The interior contains a rare depiction of the Madonna del Latte, painted by a local artist known as the Master of the Madonna of the Malve in 1270.
The structure features a unique three-nave floor plan carved entirely from the subterranean rock.
The name 'Malve' is derived from the mallow plants that historically grew abundantly in the area surrounding the cave entrance.
Chiesa di Santa Lucia alle Malve is the first rupestrian settlement of the Benedictine monastic order in the Sassi of Matera. Carved directly into the calcarenite rock, the site preserves significant 13th-century Byzantine-style frescoes, including a prominent depiction of the Madonna del Latte. The complex functioned as a monastery from the 8th century until the 16th century before transitioning into a residential space. Following a period of neglect and abandonment, the site underwent extensive restoration in the late 20th century to stabilize its structural integrity. Today, it stands as a preserved monument of rock-hewn architecture that reflects the evolution of Matera’s urban history.
The entrance portal offers a view that frames the contrast between the rough-hewn stone facade and the Sasso Caveoso skyline.
Wear shoes with excellent grip as the internal stone floors can be uneven and occasionally slippery.
The site is part of a larger network of rupestrian churches; purchase a cumulative ticket if you plan to visit multiple nearby sites.
Bring a light jacket, as the temperature inside the rock-hewn chambers remains significantly lower than outside.
Do not attempt to visit without proper footwear; flip-flops or smooth-soled shoes are hazardous on the sloped rock paths.
The site is managed by Oltre l'Arte and may be subject to temporary closures during restoration works or extreme weather events.
Maintain a quiet tone to respect the historical nature of the site and refrain from touching the frescoes.
