The manor house was commissioned by the Visconde de Sacavém, a prominent collector and amateur ceramist who integrated his own works into the building's facade.
The facade of the manor is heavily decorated with 19th-century ceramic tiles and decorative elements, acting as a functional advertisement for the owner's passion.
The museum grounds include a unique collection of outdoor tile panels and statuary preserved in a dedicated garden setting.
Caldas da Rainha has been a ceramics hub since the late 15th century, supported by the town's abundant clay deposits.
The collection includes rare examples of 17th and 18th-century Coimbra pottery alongside regional Caldas wares.
The Museu da Cerâmica is housed in a 19th-century manor house, the Visconde de Sacavém estate, located in the heart of Caldas da Rainha. The museum showcases a comprehensive collection of Portuguese ceramics spanning from the 15th century to contemporary art. Its permanent collection highlights the evolution of Caldas da Rainha pottery, a region historically central to Portuguese faience and biscuit production. The manor itself retains significant period architecture, including an ornate chapel and extensive, tranquil gardens. Visitors can view works by prominent ceramist Rafael Bordalo Pinheiro, whose naturalistic designs defined the regional style. The site serves as a vital archive for understanding the intersection of local industrial history and domestic decorative arts. It also hosts temporary exhibitions that explore modern interpretations of traditional ceramic techniques.
The main courtyard entrance, which captures the intricate tile work and architectural detail of the manor facade.
Prioritize exploring the gardens, which contain significant outdoor ceramic installations often missed by visitors staying only inside.
Check the museum's temporary exhibition schedule online before visiting, as these displays frequently highlight specific local artists.
Rushing through the gardens, as they contain significant sculptural pieces that are part of the museum's historical narrative.
Closed on Mondays and certain public holidays.
Maintain a quiet volume; touching exhibits is strictly prohibited due to their fragility.
