The cathedral's ceiling frescoes cover an area of approximately 450 square meters.
The high altar is constructed from varied types of marble sourced exclusively from the Adige Valley.
The attached cloister features a cycle of frescoes that document the evolution of Tyrolean painting from the Romanesque to the late Gothic period.
The cathedral serves as the final resting place for several Prince-Bishops of Brixen.
Paul Troger, who painted the main frescoes, was a native of the nearby Puster Valley.
Brixner Dom, also known as the Cathedral of Saint Mary of the Assumption and Saint Cassian, serves as the primary religious site of the Diocese of Bolzano-Bressanone. The current structure, dating to the mid-18th century, features a late Baroque and Rococo architectural transition. The interior is defined by extensive fresco work by Paul Troger and marble craftsmanship from local Tyrolean sources. The ceiling frescoes depict the adoration of the Lamb, a hallmark of Troger’s late-period style. A distinctive feature is the interconnected cloister, which houses medieval frescoes dating back to the 14th and 15th centuries. The cathedral stands on the site of earlier Romanesque and Gothic foundations, remnants of which are partially preserved beneath the current structure. It remains an active place of worship serving the local Catholic community.
From the center of the nave looking up at the vaulted ceiling or from the courtyard of the cloister.
Visit the adjacent cloister to view the medieval wall paintings which predate the Baroque cathedral interior.
Access the cathedral via the Cathedral Square, which hosts seasonal markets throughout the year.
Keep a light layer of clothing, as the stone interior maintains a cool temperature even during summer months.
Do not attempt to enter during scheduled masses or liturgical services as a tourist.
The cloister may have restricted access during religious ceremonies.
Modest dress is required; shoulders and knees must be covered. Silence is strictly observed during services.
