The structure utilizes a 'shinbashira' central column design, which acts as a pendulum during seismic activity to minimize structural stress.
It was built during the Muromachi period under the direction of the daimyo Ouchi Yoshihiro.
The pagoda features a square floor plan with each successive story decreasing in size to achieve visual stability.
Unlike the nearby shrine buildings, the pagoda is technically part of the adjacent Toyokuni Shrine complex rather than Itsukushima Shrine itself.
The structure is historically significant for its fusion of Japanese 'Wayō' and Chinese 'Karayō' architectural techniques.
The Gojūnotō, or Five-Story Pagoda, stands as a prominent architectural feature on Miyajima Island, overlooking Itsukushima Shrine. Constructed in 1407, the structure displays a unique synthesis of Japanese architectural styles and architectural influences from the Tang Dynasty of China. The exterior is notably painted in vermilion, a color traditionally believed in Shinto practice to ward off evil spirits and decay. At 27.6 meters in height, the pagoda is built with a central pillar, known as a shinbashira, designed to provide seismic resistance. The building is officially designated as an Important Cultural Property of Japan. It remains one of the few structures on the island to have survived various historical fires and conflicts since the Muromachi period. While its interior is typically closed to the public, the exterior remains a central visual landmark for those navigating the hillside trails above the main shrine complex.
From the base of the stairs leading up to the pagoda to capture the full height against the sky and island foliage.
Approach the pagoda via the stone stairs behind the Senjokaku Hall for the best elevation view.
Visit during the early morning to avoid the heavy day-trip ferry crowds.
Combine your visit with a walk through the surrounding Momijidani Park.
Do not attempt to enter the structure as it is permanently closed to interior public access.
Maintain a quiet tone in the surrounding temple grounds; do not touch the historic painted wood exterior.