Tanjore paintings traditionally use 22-carat gold leaves, which do not tarnish over time, ensuring the artwork retains its luster for generations.
The base of these paintings, known as 'patta', is prepared using a series of layers including cloth, chalk powder, and tamarind seed paste for durability.
Authentic Tanjore art is distinct for its relief work; the raised areas are created with a paste of limestone and tamarind seed powder before gold foil is applied.
The gallery maintains the practice of using 'muck' (a mixture of chalk and glue) to create the relief effect that gives the paintings their 3D appearance.
The art form dates back to the 16th century, flourishing under the patronage of the Nayakas and later the Maratha rulers of Thanjavur.
Oviyam Tanjore Art Gallery specializes in authentic Tanjore paintings, a classical South Indian art form characterized by 22-carat gold foil application and semi-precious stone embellishments. The gallery functions as both a showroom and a learning center for traditional painting techniques originating from the Thanjavur region of Tamil Nadu. Each piece follows historic iconographic standards, typically depicting Hindu deities with rounded bodies and almond-shaped eyes framed by decorative arches. The gallery provides custom commission services, allowing clients to request specific deities or sizes tailored to residential or commercial spaces. Artists here employ traditional materials, including wooden panels made from jackfruit tree wood, chalk powder paste, and natural pigment colors. The collection serves as an educational resource on the evolution of this Maratha-influenced art style in a contemporary Bengaluru setting.
The main wall featuring the largest and most intricately gilded portraits of deities, which benefit from optimal indoor gallery lighting.
Inquire about the difference between authentic gold foil and imitation foil before purchasing, as pricing varies significantly based on material quality.
If you are planning to commission a custom piece, allow several weeks for the curing process of the traditional base materials.
Bring a notepad if you are interested in learning about the iconographic symbols used in specific deity representations.
Assuming all paintings are 'ready to carry'; many high-quality, larger pieces require specialized packing to prevent gold foil damage during transport.
Remove footwear before entering the display area and refrain from touching the gold leaf surfaces as oils from skin can dull the metal.
