The cathedral foundations sit directly atop an ancient Peucetian necropolis dating back to the 4th century BCE.
The facade's central rose window is flanked by two distinct figures: a man and a woman, often interpreted as royal figures of the era.
The structure lacks a transept, which is a common characteristic of the specific Apulian Romanesque style.
Excavations inside the cathedral revealed distinct layers of habitation, including ceramic artifacts from the Hellenistic period.
The portal's arch is supported by columns resting on the backs of small, carved lions, a classic Romanesque protective motif.
The interior contains an 18th-century canvas depicting the Assumption of the Virgin, replacing earlier lost works.
The bell tower was repurposed from a pre-existing defensive tower.
In 1980, the building was elevated to the status of a co-cathedral within the Diocese of Molfetta-Ruvo-Giovinazzo-Terlizzi.
The Cathedral of Saint Mary of the Assumption in Ruvo di Puglia is a prime example of Apulian Romanesque architecture, built primarily between the 12th and 13th centuries. Its facade features a gabled design characterized by a central rose window and two smaller lateral ones. The portal is framed by a decorative archway featuring intricate carvings of griffins, lions, and foliate motifs. The interior maintains a three-aisled basilica plan supported by columns with medieval capitals. Notably, the cathedral is home to a subterranean hypogeum containing archaeological remains from pre-Roman Peucetian settlements. The campanile, detached from the main body of the church, reflects the typical defensive architecture of the region. Fragments of ancient frescoes are still visible on some interior walls despite extensive renovations throughout the centuries. It serves as a central historic monument in the town's urban fabric.
The central axis of Largo Cattedrale provides the best framing for the entire Romanesque facade.
Visit the underground archaeological area to see the ancient tombs preserved beneath the church floor.
Take time to examine the exterior carvings closely, as they contain obscure medieval symbols and bestiary figures.
The surrounding square (Largo Cattedrale) is the best vantage point to appreciate the symmetry of the main facade.
Do not overlook the side entrances, which often feature smaller, unique sculptural details missed by visitors focusing only on the main portal.
Modest dress is required; shoulders and knees must be covered. Maintain silence as it remains an active place of worship.
