The church was largely destroyed in 1943 during an aerial bombardment, leaving only fragments of the lower walls.
Petro Baranovsky utilized unique archaeological methods to reconstruct the church based on original 12th-century structural data.
The building's design represents a transition towards the 'Gothic' verticality that became more prevalent in later European ecclesiastical architecture.
The interior layout is a four-pillar, three-nave structure, which was standard for high-status princely churches of the period.
The site was historically associated with a marketplace, as St. Paraskevi is traditionally considered the patron saint of merchants.
Analysis of the brickwork reveals the use of traditional 'opous emplekton' construction, a technique inherited from Byzantine builders.
During the post-WWII reconstruction, several hidden architectural features were discovered that proved the church had been altered multiple times during the 17th and 18th centuries.
St. Paraskevi's Church, also known as the Pyatnytska Church, is a prominent example of late 12th-century Kievan Rus' architecture located in central Chernihiv. The church is noted for its vertical composition, which was a departure from the traditional Byzantine style, employing a system of stepped arches to achieve its height. Originally built in the late 12th or early 13th century, it was reconstructed significantly following severe damage during World War II. The restoration, led by architect Petro Baranovsky, stripped away later baroque-style additions to reveal the building's original medieval brickwork and proportions. It currently serves as an active parish church under the Orthodox Church of Ukraine. The exterior walls feature recessed decorative masonry and terracotta tiles, characteristic of the Chernihiv architectural school. Its construction utilized a mix of stone and plinthite brick, common for that period in the region.
The path from the southern side of the park provides the best wide-angle view of the church's vertical spire.
Walk around the entire perimeter to view the distinct vertical architectural elements and original masonry patches.
Look for the display boards near the entrance that detail the 1940s destruction and subsequent restoration process.
Visit during the early morning to avoid shadows cast by nearby trees and buildings.
Avoid entering the main sanctuary if a service is in progress to maintain a respectful environment.
Modest dress is required; women should cover their heads, and men should remove hats upon entering.
