Michelangelo carved his own likeness into the figure of Nicodemus in the 'Bandini Pietà'.
The 'Bandini Pietà' was damaged by Michelangelo in a fit of frustration; he attempted to smash the sculpture with a hammer before it was restored by a student.
Donatello's 'Penitent Magdalene' is carved from white poplar wood, rather than his signature marble or bronze.
The Hall of the Paradise features a full-scale model of the cathedral's original gothic facade, which was dismantled in 1587.
The museum holds the original bronze panels of the Baptistery's North and East doors, while replicas now stand outside.
Many sculptures in the collection were specifically commissioned to be viewed from below, and they are displayed at corresponding heights to maintain the intended perspective.
The museum houses the original 14th-century sketches and architectural plans for the cathedral's dome.
The building itself contains the remains of ancient Roman structures visible in the lower levels.
The Museo dell'Opera del Duomo houses the original collection of sculptures and architectural elements designed for the Florence Cathedral, Baptistery, and Giotto's Campanile. Its centerpiece is the Sala del Paradiso, which recreates the original 14th-century facade of the cathedral. The museum features Michelangelo’s 'Bandini Pietà,' intended for his own tomb, and Donatello’s wooden 'Penitent Magdalene.' Other notable works include Ghiberti’s original bronze 'Gates of Paradise' from the Baptistery. The collection spans over 750 works collected over 700 years. It occupies the site of the former workshop where Brunelleschi constructed the dome of the cathedral. The galleries use innovative lighting to highlight the intricate detail of marble and bronze statuary. The museum is a major repository for artworks removed from the exterior of the Duomo complex for preservation. It serves as the primary archival space for the Opera di Santa Maria del Fiore.
The Sala del Paradiso offers a dramatic perspective of the original facade architecture with the cathedral dome visible through the windows.
Prioritize the Sala del Paradiso; it provides the most comprehensive view of the cathedral's evolution.
Check the digital signage for temporary exhibitions as the museum rotates items from its massive storage collection.
Look for the viewing balconies on the upper floors for unique perspectives of the cathedral dome exterior.
Do not rush through the lower levels; many visitors miss the technical architectural drawings and models which are essential to understanding the dome's construction.
Open daily; occasionally closed for special liturgical events related to the Duomo complex.
Shoulders and knees should be covered as a sign of respect for the religious nature of the artifacts; photography is permitted without flash.
