The 'New' cathedral's construction remained unfinished, meaning the original grand plan for the nave was never fully realized.
The complex houses a blend of architectural styles, including Romanesque elements in the Old Cathedral and Gothic/Plateresque in the New.
The choir stalls feature 'profane' carvings, including depictions of mythological figures and satirical scenes, rather than strictly religious iconography.
The cathedral serves as a landmark example of the transitional period between Spanish Late Gothic and the Renaissance.
The site contains a 15th-century organ that is still occasionally used for liturgical music.
The cathedral's facade includes a distinct 'medallion' style of decoration common in the Extremadura region.
The Catedral Nueva de Plasencia is part of a unique architectural complex consisting of two physically joined, structurally distinct cathedrals: the 13th-century Catedral Vieja and the 16th-century Catedral Nueva. Construction of the 'New' cathedral began in 1498 and continued over several centuries, resulting in a transition from Gothic to Renaissance and Plateresque architectural styles. The building features an elaborate facade designed by Juan de Álava and others, characterized by intricate stone carvings. Inside, the choir stalls are considered a masterpiece of woodwork, carved in walnut by Rodrigo Alemán. The two cathedrals share a wall and are connected through the cloister. The interior holds a collection of religious art, including retables and liturgical items. Its location overlooks the Jerte River within the walled old town of Plasencia.
From the Plaza de la Catedral, which offers a full view of the intricate main facade.
Combine your visit with a walk along the surrounding medieval city walls for context.
Access the Catedral Vieja through the cloisters to understand how the two structures are interconnected.
Pay close attention to the smaller details on the choir stall carvings, as they contain hidden social commentary.
Avoid visiting during mass times to ensure you have the freedom to explore all areas of the complex without disturbing worshippers.
Closed to tourists during scheduled religious services; check for specific holiday closures.
Shoulders and knees must be covered; maintain a quiet voice out of respect for the active religious site.
