Tradition asserts that the church was founded by the Dominican Order shortly after Pizarro's landing in the nearby port of Paita.
The interior contains a series of religious paintings and wooden carvings from the colonial period, some of which were brought from Spain in the 16th century.
The church's architecture is a rare surviving example of early colonial 'mud-brick' construction in northern Peru.
It is frequently referred to as the 'first temple' because it is considered the earliest Christian site established on the mainland of the South American Pacific coast.
The site was declared a national monument due to its architectural integrity and historical role in the evangelization of the region.
The Iglesia de San Lucas in Colán, Paita, is recognized as the first Catholic church established in Peru, with its origins dating back to the arrival of Francisco Pizarro in 1532. The current structure, built with mud bricks and wood, reflects a synthesis of early colonial-era architecture and local construction techniques. It sits on a terrace overlooking the Chira River valley and the coastal plains of the Piura region. The church holds significant historical value as the site where the first Mass in the South Pacific was purportedly celebrated. The walls are constructed from quincha, a traditional Andean material consisting of bamboo and mud, which has survived centuries of coastal seismic activity. Despite several restorations, the temple maintains its original seventeenth-century floor plan and altar layout. It serves as an active parish under the Metropolitan Archdiocese of Piura.
The main facade from the central plaza offers the best framing of the colonial architecture against the clear northern Peruvian sky.
Bring a hat and sunscreen as the area around the church offers very little shade.
Speak with the local caretakers if you are interested in the specific history of the religious art kept inside.
Combine this visit with a trip to the nearby Colán beach, located a short distance away.
Do not attempt to touch the antique wooden carvings or historical paintings, as they are fragile and undergoing conservation.
Modest dress is required; shoulders and knees should be covered. Refrain from taking photographs of the altar during active religious services.
