The original schoolhouse used in the 1987 film is the central exhibit, preserved exactly as it appeared on screen.
The name 'Twenty-Four Eyes' refers to the twelve pupils and one teacher depicted in the original novel.
The location was chosen for its preserved historical atmosphere and unobstructed views of the Seto Inland Sea.
The studio grounds include a cinema gallery that houses a permanent collection of Showa-era movie posters.
The site features a replica of a 1950s post office and traditional wooden houses that provide insight into rural architecture of the period.
The studio is located near the setting that inspired Sakae Tsuboi’s original anti-war literature.
It is a frequent destination for fans of classic Japanese cinema history and regional literature.
Many interior sets still contain original props used during the 1987 filming process.
Twenty-Four Eyes Movie Studio is an authentic open-set recreation of a 1950s Japanese village, originally constructed as the primary filming location for the 1987 film adaptation of the novel 'Twenty-Four Eyes'. Situated on the southern coast of Shodoshima island in the Seto Inland Sea, the site features a preserved wooden primary schoolhouse overlooking the water. The studio functions as a cultural museum dedicated to the work of author Sakae Tsuboi and the history of Japanese cinema. Visitors can walk through period-accurate classrooms, residences, and streetscapes that reflect early Showa-era life. The site includes a gallery exhibiting film memorabilia, scripts, and production stills. It serves as a significant landmark in the regional promotion of Shodoshima’s cinematic heritage. The location remains operational as a film set and tourist attraction in 2026.
The veranda of the wooden schoolhouse facing the ocean.
Walk down to the shoreline in front of the schoolhouse to capture the iconic view of the wooden structure against the sea.
Check the gallery exhibits carefully, as they provide essential historical context for the film’s narrative.
Wear comfortable footwear as the site involves walking across uneven traditional pathways and wooden flooring.
Do not overlook the small museum wing, as it contains important artifacts not visible on the outdoor set.
Remove shoes when entering the wooden schoolhouse building.
