The Baglioni Chapel contains a self-portrait of the painter Pinturicchio integrated into the fresco cycle.
The floor tiles in the church were produced by the famous Deruta majolica workshops in the 16th century.
The site was historically associated with the Temple of Vesta from the Roman period of Hispellum.
The church houses a rare wooden crucifix dating back to the 14th century.
The architectural layout retains evidence of pre-Roman and Roman foundations integrated into the masonry.
Santa Maria Maggiore in Spello is a Romanesque-Gothic church primarily renowned for the Baglioni Chapel, which houses a major fresco cycle by Bernardino di Betto, known as Pinturicchio. The church occupies the site of a former Roman temple dedicated to Vesta or Juno. The interior features a terracotta floor by the Deruta workshop and a Renaissance-era pulpit. Pinturicchio's frescoes, completed in 1501, depict the Annunciation, the Nativity, and the Dispute with the Doctors. The church structure itself underwent significant architectural modifications during the 17th century. It remains an active place of worship situated within the ancient medieval walls of Spello.
The center of the nave looking directly toward the Baglioni Chapel frescoes.
Look for the small brass plaque in the floor that marks the specific spot where Pinturicchio signed his work.
Bring a small coin for the coin-operated light machine to properly illuminate the frescoes in the Baglioni Chapel.
Do not attempt to photograph the frescoes using a flash, as it can damage the delicate pigments.
Occasionally closed for private religious services or local feast days.
Modest dress covering shoulders and knees is required; maintain silence as it is an active place of worship.
