Frank Gehry utilized computer-aided design software originally developed for the aerospace industry to model the complex, curving geometries of the facade.
The three individual buildings were intentionally finished in different materials—stainless steel, red brick, and white plaster—to distinguish them as separate sculptural units.
The building's distorted design was a response to the city’s requirement that the new development respect the scale of the nearby historic harbor warehouses.
The mirror-polished stainless steel facade of the central building is designed to reflect the surrounding river and the changing sky conditions.
The Gehry Bauten were a central catalyst for the complete regeneration of the MedienHafen area, transitioning it from a derelict port into a high-end corporate district.
The Gehry Bauten, also known as the Neuer Zollhof, are three deconstructivist office buildings located in Düsseldorf's MedienHafen district. Designed by architect Frank Gehry and completed in 1999, the complex is renowned for its sculptural, leaning facades made of stainless steel, white plaster, and red brick. The structures are famously distorted, with walls and windows that appear to tilt at unconventional angles. They serve as a primary example of postmodern architecture in Germany and house various professional businesses, including media and fashion companies. The site reflects the late 20th-century urban redevelopment of Düsseldorf’s historic harbor into a modern commercial hub.
From the river promenade path directly south of the buildings, where you can capture the reflection of all three structures in one frame.
Visit during the 'golden hour' to see how the stainless steel surfaces reflect the shifting colors of the sunset.
Walk around the entire perimeter of the complex, as the perspective shifts significantly from the street level versus the riverfront vantage point.
Combine your visit with a walking tour of the nearby MedienHafen area to view other contemporary architectural works by international architects.
Attempting to enter the buildings, as they are private office spaces closed to the general public.
