The museum complex contains a labyrinth of air-raid shelters used by Rabat residents during the intense aerial bombardment of Malta in World War II.
The subterranean site includes an early Christian catacomb complex separate from the more famous St. Paul's Catacombs nearby.
The building was originally designed as a grand residence for the Chaplain of the Order of St. John.
It houses an extensive collection of 17th and 18th-century paintings by local and European artists, including works attributed to Mattia Preti.
The site provides direct access to the grotto where Pope John Paul II and Pope Benedict XVI have held private prayer sessions.
The Wignacourt Museum is housed in the former chaplain's residence of the Order of St. John in Rabat, Malta. The building serves as the gateway to the St. Paul’s Grotto, where tradition claims the Apostle Paul sought refuge after his shipwreck in 60 AD. The museum displays a significant collection of 17th-century paintings, silver, and religious vestments. Visitors access a complex of Punic, Roman, and early Christian hypogea located directly beneath the site. A series of World War II air-raid shelters carved into the rock face are also available for exploration within the complex. The baroque architecture of the residence itself reflects the prestige of the Knights of Malta during the period of Grand Master Alof de Wignacourt. The site effectively integrates ecclesiastical history with archaeology.
The internal courtyard of the museum, which features authentic baroque architecture and ornate stone carvings.
Wear comfortable, flat walking shoes to navigate the uneven terrain of the subterranean catacombs and shelters.
Check the upper floor galleries first to view the art collection before descending into the cooler, underground sections.
Allow extra time to explore the connecting passages to the St. Paul's Grotto, as they are often crowded.
Do not mistake the nearby St. Paul's Catacombs for the Wignacourt Museum; they are two separate sites in Rabat.
Modest dress is required as the museum is attached to a religious site; shoulders and knees should be covered.
