The church facade is framed by four granite telamones, or 'Atlas' figures, which are unique in the Portuguese Renaissance style.
The church was built on the site of a former hermitage dedicated to Nossa Senhora da Graça.
It served as the burial place for the Dukes of Cadaval, a prominent noble house in Portuguese history.
The architectural design is attributed to Miguel de Arruda, a royal architect involved in major fortifications across Portugal.
The granite used in the facade is characteristic of the regional geology of the Évora district.
Graça Church, known formally as Igreja da Graça, is a 16th-century Renaissance church located in the historic center of Évora. Its facade is distinctly characterized by the 'Atlas' figures, four large stone giants supporting the corners of the pediment, which are emblematic of the Manueline and Renaissance transition period. Founded in 1537 by Friar André de Évora, the church was originally part of a convent of the Order of Saint Augustine. The structure exhibits a fusion of Italian Renaissance influence with local Portuguese architectural traditions. It was classified as a National Monument in 1910. The interior features a central nave with side chapels and a prominent high altar. Its stone work reflects the architectural ambition of the mid-16th century in the Alentejo region. The church underwent significant structural repairs in the 20th century to preserve its unique masonry.
From the opposite sidewalk directly facing the main entrance to capture the full symmetrical facade and the Atlas figures.
Observe the Atlas figures from across the street to fully appreciate the scale and proportion of the carvings.
Check the side altars for remnants of 17th-century gilded wood carving.
Combine this visit with a walking tour of the nearby historic center as the church is centrally located.
Do not mistake it for the Cathedral of Évora, which is a much larger Gothic structure located nearby.
Occasional closures may occur during private religious services or local feast days.
Maintain a quiet volume; dress modestly by covering shoulders and knees out of respect for a functioning religious space.
