The organization was founded in 1981 to incorporate fine art into urban planning and public development.
The collection includes the 'Cyclops' sculpture, a notable monumental work by Alexander Liberman.
The museum operates as an 'art-in-architecture' program, often commissioning works specifically designed for the surrounding suburban environment.
Marjorie Park, curated by the MOA, utilizes a space originally dedicated to the late Colorado philanthropist Marjorie Perry.
The museum frequently collaborates with local designers to host 'Design and Build' workshops for emerging artists.
The Museum of Outdoor Arts (MOA) integrates site-specific monumental sculptures, indoor galleries, and experimental public art installations across the Greenwood Village area. Centered around Fiddler's Green Amphitheatre, the institution functions as a non-profit organization dedicated to fostering interaction between the public and contemporary art. It features an extensive collection of large-scale sculptures by artists such as Beverly Pepper and Alexander Liberman distributed throughout the landscape. The organization also operates Marjorie Park, a designated sculpture garden nearby. Beyond permanent installations, the museum hosts rotating indoor exhibitions and educational workshops. The venue emphasizes the intersection of landscape architecture and fine art.
The large-scale red steel sculptures near the amphitheatre provide the most striking visual contrast against the Colorado sky.
Wear comfortable walking shoes, as the sculpture collection is spread across an expansive outdoor campus.
Check the museum's website for rotating indoor exhibition schedules before visiting to ensure gallery access.
Combine your visit with a walk through Marjorie Park to see the full breadth of the outdoor sculpture collection.
Do not attempt to visit the indoor galleries without checking if they are currently hosting an active exhibition, as they rotate frequently.
Indoor galleries may close between exhibition rotations; check the official website for current exhibition status.
Respect the art by not touching or climbing on the sculptures, as many are fragile or treated with specialized finishes.
